Highly mindful of tonality, Juan Uslé explores colour but strives not for intense chromatic effect, rather the gradations at times echo the Spanish countryside where he grew up. The vibrations of certain light and shade are also constant elements, creating a momentary resonance, like sunlight falling through venetian blinds or a distant horizon. The paintings on show have been made in response to Spain’s northern coast and the title En la pared del mar translates as On the sea wall.

Uslé’s nuanced works evoke intriguing atmospheres or environments. His paintings have no narrative impulse, instead they are an attempt to capture time – moments past and present are condensed within a single luminous image created from swathes or narrow bands of oil paint. The canvases in this exhibition, which range from the intimate to the very large, have evolved in different ways, each emerging with a very distinct character. Included in the exhibition are new works from the ongoing series Soñé que revelabas (‘I dreamt that you appeared’), the most monumentally scaled and unified body of paintings, initiated by the artist in 1997.

These rhythmic abstractions grow from the line which is sometimes applied at speed and with spontaneity or evolves slowly and deliberately as the brush is moved by hand at each heartbeat across the canvas. The artist prepares the paint in his studio in daylight, but the paintings themselves are often created at night when the ambient silence allows him to listen to his body. The vertical marks could be read as intervals between the pulse; they make it visible and remind us of the importance of our own sensory and experiential capacity.